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Inicio Boletín de la Sociedad Española de Cerámica y Vidrio Chemical composition and alteration processes of glasses from the Cathedral of L...
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Vol. 57. Núm. 3.
Páginas 101-111 (mayo - junio 2018)
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Vol. 57. Núm. 3.
Páginas 101-111 (mayo - junio 2018)
Open Access
Chemical composition and alteration processes of glasses from the Cathedral of León (Spain)
Composición química y procesos de alteración de los vidrios de la Catedral de León (España)
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4491
Teresa Palomara,b
a Unidade de Investigação VICARTE “Vidro e Cerâmica para as Artes”, FCT-UNL, Caparica, Portugal
b Instituto de Historia, CCHS-CSIC, Madrid, Spain
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Table 1. Main characteristics of the glass samples studied.
Table 2. Chemical composition of the glass samples from the Cathedral of León analyzed by XRF and EDS spectrometries and normalized to 100wt.%.
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Abstract

The Cathedral of León has one of the most important ensembles of medieval stained glass windows in Europe; however, most of them have been altered by atmospheric weathering. The main objective of this study was the characterization of a set of glass samples from the Cathedral of León, the comparison with glasses from previous interventions in the cathedral and the study of the relation between the alteration pathologies, the chemical composition of the glasses and the environment in which they were placed. The samples were characterized by means of binocular microscopy, scanning electron microscopy and energy dispersive X-ray spectrometry, visible spectrophotometry, X-ray fluorescence spectrometry and X-ray diffraction. The main alteration of glasses exposed until the 19th century was the formation of pits by dealkalinization, while the glasses exposed until the present formed CaSO4 deposits as a consequence of the synergic effect of rainwater and gaseous pollutants. Glasses altered by the browning of manganese were also characterized.

Keywords:
Stained glass windows
Atmospheric weathering
Alteration pathologies
Cathedral of León
Resumen

La Catedral de León posee una de las colecciones de vidrieras medievales más importantes de Europa; sin embargo, muchos de los vidrios se han alterado por degradación atmosférica. El objetivo principal de este estudio fue la caracterización de un conjunto de vidrios procedentes de la Catedral de León, su comparación con vidrios procedentes de intervenciones previas en la catedral y el estudio de la relación entre las patologías de alteración, la composición química del vidrio y el medio en el que estuvieron expuestas. Las muestras se caracterizaron mediante lupa binocular, microscopía electrónica de barrido y microanálisis de dispersión de energía de rayos X, espectrofotometría visible, espectrometría de fluorescencia de rayos X y difracción de rayos X. La alteración principal de los vidrios expuestos hasta el s. xix consistió en la formación de picaduras por desalcalinización, mientras que en los vidrios expuestos hasta la actualidad se formaron depósitos de CaSO4 como consecuencia del efecto sinérgico de la lluvia y los gases contaminantes. También se han caracterizado vidrios alterados por el enmarronamiento del manganeso.

Palabras clave:
Vidrieras
Alteración atmosférica
Patologías de alteración
Catedral de León
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Introduction

Glasses from stained glass windows are vulnerable to atmospheric environment because they are usually located in the building façades without protection. The outdoor surface of these glasses usually presents an intense alteration due to the exposition to rainwater, environmental pollution, temperature changes, wind-blown materials and bird droppings, among other factors. The most altered glasses were found in medieval stained glass windows, in which potash lime silicate glasses were used. As is known these glasses present low chemical stability [1,2].

The most common alteration process in atmospheric environment is soiling, which concerns the deposit of soot particles and soluble salts upon the glass surface. The most usual chemical species in soiling layers are sulfates, carbonates, nitrates and organic matter [3–5], from anthropic, biogenic, terrigenous or marine origin [6,7]. The main consequence of soiling is the diminishing of glass transparency, the change of roughness and the increasing of hygroscopicity [8].

The most common alteration pathology in glasses from stained glass windows are pits. The presence of water, from rain or condensation, on the glass surface can induce the glass network to break down (Reaction (1)) and the lixiviation of alkaline and alkaline-earth ions (Reaction (2) and (3)) [9].

Si−O−Si+H2O2Si−OH
Si−O−Na+H3O+Si−O−H+Na++H2O
Si−O−Ca−O−Si+2H+2Si−OH+Ca2+

If water drops remain in stationary state upon the glass surface, a more intense corrosion process could occur. The OH ions formed on the surface (Reactions (4) and (5)) increase the pH of the hydration layer, which induces the breakdown of the glass network (Reaction (6)).

Si−O−Na+H2OSi−OH+Na+OH
Si−O+H2OSi−OH+OH
Si−O−Si+OHSi−OH+Si−O

The lixiviated alkaline and alkaline-earths ions due to the hydrolytic attack (K+, Na+, Ca2+, etc.) can react with the atmospheric pollutants contained in the environmental humidity (CO2, SO2, NOx) (Reactions (7)–(9)) and form deposits upon the glass surface and into the glass fissures [10–13]. The most common salts are sulfates, mainly gypsum (CaSO4·2H2O) and syngenite (K2Ca(SO4)2·H2O); carbonates such as calcite (CaCO3); and oxalates (CaC2O4·nH2O) usually connected with biodeterioration processes [14–16].

SiO−Ca−OSi+2H2O2SiOH+Ca(OH)2
Ca(OH)2+CO2CaCO3+H2O
CaCO3+SO2+½O2+2H2OCaSO4 2H2O+CO2

Darkening, browning or blackening of the glass surface is a less common pathology. This phenomenon commonly occurs in the glass fragments used to represent the human skin, such faces or hands [17]. The pathology is characterized by the presence of dark opaque stains with high contents of MnO2, both in the glass surface and in the corrosion crust [18]. These stains can affect severely the iconography of the stained glass windows, which could lose their original meaning and even diminish its artistic value [19].

The Cathedral of León has one of the most important collections of stained glass windows in Europe. The ensemble is formed by at about 1800m2 of stained glass windows that compose 31 tall windows in the Central Nave and the Transept, three giant rose windows, ten medium windows in the lateral aisles, 15 windows in the chapels of the ambulatory, three large windows in the Santiago (Saint James) Chapel and small windows between the towers, the sacristy and the access to the cathedral cloister [20,21]. Most of the original stained glass windows are dated between the 13th and the 15th centuries. During the 13th century the main master glaziers were Pedro Guillermo and Juan Pérez; in the 14th century Diego de Santillana elaborated the stained glass windows from Santiago Chapel, and Rodrigo de Herreras the three windows from the Virgen Blanca (White Virgin) chapel. In the 15th century, Joaquín de Arquer and Alfonso Diez Anequín, among others, led a period of great artistic activity [20,22,23]. However, during the next years, the building was falling into a ruin state. At the end of the 19th century, the Spanish Government decided to close the cathedral and to carry out one of the most important restoration plans of the building, which also included the stained glass windows [20]. The work was led by the architect Demetrio de los Ríos and afterwards by Juan Bautista Lázaro. During the restoration of the stained glass windows the main criterion was the unity of style. Those original glasses which could not be reintegrated were saved in the Glassman boxes, where they were kept until nowadays [21]. After the restoration, the building was re-opened in 1901.

From 1993 to 2013 a new comprehensive restoration of the stained glass windows has been carried out in the Cathedral of León in the framework of programs such as “Salvemos nuestra Catedral” and “El sueño de la luz” [23]. Due to the long period of restoration, several studies were developed on historical glasses [12,24–26], grisailles [27], metallic elements from the windows [28] and the putty corrosion products [29].

The main objective of this work was the characterization of a set of samples from the Cathedral of León, oriented to include it in a comprehensive study of the historical evolution of the chemical composition of the glasses from the cathedral, and to relate their chemical composition with the alteration pathologies found on the surface of glasses.

ExperimentalSample description

A set of 11 glass samples from the Cathedral of León were analyzed. They come from three different stained glass windows (Fig. 1) and from the Glassman boxes (Table 1). Two samples had undetermined location.

Fig. 1.

Plan of the stained glass windows of the Cathedral of León. The fragments come from the windows marked in red.

(0.14MB).
Table 1.

Main characteristics of the glass samples studied.

Sample  Color  Outdoor surface appearance  Indoor surface appearance  Location 
L1  Light pink  Pits  Grisaille  nII 
L2  Green  Pits, alteration crust  Grisaille, pits 
L3  Red flash  Alteration crust  Pits  SV 
L4  Yellow  Alteration crust  Pits  SV 
L5  Blue  Deposits  Grisaille  SV 
L6  Red flash  Alteration crust  Grisaille, pits  SV 
L7  Pink  Alteration crust  Grisaille  SV 
L8  Violet flash  Pits  Grisaille  Glassman boxes 
L9  Greenish  Alteration crust, pits  Grisaille  Glassman boxes 
L10  Yellow  Pits  Grisaille, putty  Undetermined 
L11  Greenish  Dust  Grisaille  Undetermined 

The fragment L1 came from the window nII, which is located in the North façade and represents vegetal and animal decoration; the glass fragment L2 came from the window I, located in the main chapel, which represents the Árbol de Jessé (Tree of Jesse), the genealogic tree of Christ from Jesse of Bethlehem, the father of the King David; and the samples L3–L7 came from the window SV, with representations of Priests and Prophets [21]. All the fragments are medieval glasses, except sample L11, which is a Renaissance glass.

Three samples (L3, L6 and L8) were flash glasses, formed by two layers of different color and thickness (Table 1), and four samples (L4–L7) were small fragments cut from the edges of the original glass during their restoration.

Characterization techniques

The glass samples studied were characterized by the following techniques: optical microscopy (OM), scanning electron microscopy (SEM), energy dispersive X-ray microanalysis (EDS), X-ray fluorescence (XRF) spectrometry, VIS spectrophotometry and X-ray diffraction (XRD).

OM was carried out by a Leica MZ16 reflected light microscope equipped with a Leica DC300 camera.

SEM observations were undertaken by a Hitachi S-3400-N electron microscope, using acceleration voltages of 15kV and both the secondary electrons mode (SE) and the backscattered electrons mode (BSE). Samples were EDS micro-analyzed on both surface and resin inlayed polished cross-section, using a carbon conductive coating deposited through a sputter coater Polaron SC7620. EDS micro-analyses were accomplished by a Bruker AXS XFlash Quantax 4010 spectrometer with energy resolution of 125eV (Mn Kα) attached to the SEM equipment. EDS determinations with the theoretical inner pattern were obtained by using the ZAF method of correction and the Bruker Sprit 1.8 analytical software.

Semi-quantitative chemical analysis by XRF was carried out by a PANalytical Axios wavelength dispersed X-ray spectrometer equipped with a tube of rhodium of 4kW and 60kV. Analytical determinations were undertaken through the standard-less analytical software IQ+ (PANalytical) based on fundamental parameters from synthetic oxides and well-characterized natural minerals. In addition, Sheffield glass nos. 7 and 10 (Society of Glass Technology) are commonly used as internal routine control standards. Powder samples (1g approx.) for bulk XRF analysis were prepared by grinding body glass fragments, with their most external surfaces removed by polishing, in an agate mortar. After that, pressed boric acid pellets were made, using a mixture of n-butylmethacrylate and acetone (10:90wt.%) as binding medium. Just the samples L1, L2, L9, L10 and L11 presented enough mass to be analyzed by XRF. The other samples were micro-analyzed by EDS on polished cross-sections.

The color of the glass samples was characterized by visible spectrophotometry (VIS) with an Ocean Optics HR 4000 CG spectrophotometer. Spectra were recorded in the 250–1100nm range on glass samples of approximately 1mm thick obtained by polishing both sides of the samples to optical quality.

XRD measurements were collected with a Phillips X’Pert MPD diffractometer equipped with a copper X-ray tube. A current of 40mA and a voltage of 45kV were employed as tube settings. XRD data was collected between 2θ=5° and 60°.

Results and discussionChemical composition

The different interventions in the Cathedral of León throughout History increased the diversity of glass compositions present in the stained glass windows [21]. Brill classified the medieval glasses from the Cathedral of León in three different groups [24]. Type I and Type II are very similar one each other because they presented a high concentration of K2O (12–20wt.%), a moderate content of CaO (10–15wt.%) and a high content of MgO (5–10wt.%) (Figs. 2 and 3a). The main difference between these two groups is the content of P2O5, which can be related with the ashes used for the glasses manufacture [24,30]. Glasses of Type I presented a concentration of P2O5 of 1–4wt.%, while the glasses of Type II had around 4–5wt.%. These types of glasses were manufactured between the 13th and the 14th centuries [24].

Fig. 2.

Ternary representation of the glass compositions of the samples archaeometrically characterized in the current and previous works [12,25–27].

(0.16MB).
Fig. 3.

Binary representation of (a) Al2O3 vs. MgO (wt.%) and (b) Al2O3/SiO2 vs. TiO2/Al2O3.

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Glasses of Type III, possibly dated in 14th–15th centuries, had low silica content (lower than 50wt.%) and high content of K2O and CaO (20–27 and 19–24wt.%, respectively) with moderated percentages of MgO (∼4wt.%) (Fig. 2) [24]. Valle [26] identified a new group of glasses (Type IV) from the Renaissance (15th–16th centuries). These glasses presented a chemical composition similar to that of the Type III defined by Brill (Fig. 2), but with a high concentration of Al2O3 (Fig. 3a). Carmona [12] identified another group of Renaissance glasses (Type V) with a very high content of SiO2 and CaO (>55% and 12–26wt.%, respectively), and a low content of K2O (6–11wt.%) (Fig. 2). These groups also presented a very high concentration of Al2O3 (2–4wt.%) and low of MgO (< 2wt.%) (Fig. 3a). Carmona [12,27] also analyzed Late-Medieval and Modern glasses with different chemical compositions (Fig. 3a).

The representation of Al2O3/SiO2 vs. TiO2/Al2O3 allows relating the composition of glasses with the mineralogy of the glassmaking sands [31]. As can be seen in Fig. 3b, the samples were divided according to the glass types previously defined, which provides solid evidence that each glass type presented different sources of raw materials or different production technology. Type I and Type II showed a high content of TiO2/Al2O3, which suggested the use of a silica source with high content of heavy minerals. However, Type III and Type IV had an oxide relation typical from Levantine Roman glasses, and then they suggest another kind of silica source [31]. It is also highlighted the very high content of Al2O3 in comparison with the SiO2 content in the Type IV (Fig. 3b), which reflected the presence of feldspar in the glassmaking sands or an intentioned addition of Al2O3 to stabilize the glass [26].

The analytical study of the samples characterized in this study showed that all the fragments were potash-lime silicate glasses (Table 2), and they were integrated in the medieval glass types previously defined (Fig. 2). Even the fragment L11, from Renaissance chronology, had a chemical composition similar to the glasses from Type V (Fig. 2) from the same chronology; nevertheless, the Al2O3 content is lower than the detection limit of the equipment (Table 2).

Table 2.

Chemical composition of the glass samples from the Cathedral of León analyzed by XRF and EDS spectrometries and normalized to 100wt.%.

Samples  XRF analysesEDS analyses
  L1  L2  L9  L10  L11  L1  L4  L5  L6  L7  L8  L9  L10  L11 
Na2  0.77  2.77  2.63    0.3  3.2  4.6  0.6  3.1  0.4  3.2  3.9  1.3 
MgO  3.10  2.60  5.66  5.03  3.54  3.9  8.1  9.8  3.9  7.1  3.6  8.5  6.7  4.9 
Al2O3  0.66  1.22  0.93  0.85    0.7  2.3  1.2  2.8  1.4  2.4  0.9  1.1  4.2 
SiO2  50.41  45.68  49.92  55.48  57.32  44.0  45.5  46.3  43.6  44.9  44.7  41.0  47.7  45.4 
P2O5  0.98  0.62  4.64  3.65  1.94  1.0  2.8  4.2  1.1  3.6  1.1  4.8  3.9  2.3 
SO2  0.30  0.23  0.19  0.07  0.14  0.4  0.3  0.2  0.1      0.1     
Cl  0.07  0.06  0.39  0.60  0.22    0.5  0.5    0.5    0.5  0.7  0.3 
K219.47  24.1  16.91  13.75  7.26  22.2  20.0  15.0  24.5  18.5  24.7  21.0  17.0  9.6 
CaO  23.09  19.91  15.23  15.77  25.89  25.4  14.9  15.9  21.1  17.1  20.2  17.3  17.1  28.5 
TiO2      0.12  0.08  0.43  0.8      0.2      0.2    0.8 
MnO  1.02  0.78  2.04  1.25  1.24  1.0  1.3  1.3  0.9  2.1  1.1  2.3  1.2  1.2 
Fe2O3  0.25  3.20  0.61  0.61  1.42  0.7  1.1  1.1  1.0  1.0  0.9  0.3  0.9  1.5 
CoO          0.04                   
CuO    0.03  0.27                       
ZnO  0.05  0.05  0.07  0.07  0.02                   
As2O3          0.06                   
Rb20.08  0.12  0.03  0.03  0.02                   
SrO  0.13  0.13  0.08  0.07  0.09                   
ZrO    0.02    0.14  0.04                   
BaO  0.26  0.21  0.14  0.45  0.29                   
PbO  0.14  0.26              0.2  0.7  1.0       
Bi2O3          0.04                   

Chromatic study

Glass fragments showed a great variety of colors. Nevertheless just the samples L1, L2, L8, L9, L10 and L11 were large enough to be chromatically characterized. The most common chromophore found in the glasses was iron, which is an impurity of the glassmaking sand. The majority of the samples presented the iron ions bands join with the other chromophores bands; just the sample L10 presented the characteristic bands of the Fe2+ (∼1028nm) and Fe3+ (386 and 419nm) (Fig. 4a).

Fig. 4.

VIS absorption spectra from samples: (a) L10 and (b) L11.

(0.09MB).

Cobalt ions have a high molar extinction coefficient that, even in a very low concentration, yields blue colored glasses. The samples L2, L9 and L11 presented simultaneously the bands of Co2+ ions and of the redox pair Fe3+/Fe2+, which result in a greenish hue of the glass (Fig. 4b).

The main chromophore in the sample L1, with a light pink hue, was assigned to Mn3+ ions (Fig. 5a). This color is the most common in the representation of the human skin. The sample L8 is a flash glass composed by a purple glass over a greenish glass. The chromatic characterization of the ensemble presented the bands of the Fe3+ ions, the very intense band of the Mn3+ and two of the three characteristic bands of the Co2+ ions (Fig. 5b). However, the base glass showed just the bands of Co2+ and Fe3+ ions, responsible of the greenish hue.

Fig. 5.

VIS absorption spectra from samples: (a) L1 and (b) L8.

(0.1MB).
Surface alterations

Glass samples presented a completely different surface alteration depending on their chemical composition, their indoor/outdoor surface and their location in the cathedral.

The sample L8 presented small fissures of ∼25μm in depth in its outdoor surface (Fig. 6a). Some areas, with a dark color in the SEM images, were identified such as dealkalinization channels formed by the hydrolytic attack of the water and the lixiviation of alkaline and alkaline-earth ions from the glass (Reactions (1)–(3)). The water in the surface can be filtered through these channels spreading the attack toward the bulk glass (Fig. 6d).

Fig. 6.

SEM micrographs in cross section of (a) fissures in the sample L8, (b) a pit in advanced stage of alteration in the sample L9, (c) alteration layer in the sample L9, (d) a pit in an early stage of alteration in the sample L10. Binocular microscope image of (e) isolated pits in the outdoor surface of the sample L9, (f) interconnected pits in the outdoor surface of the sample L10. The enclosed table displays EDS microanalyses results (wt.%).

(0.8MB).

A more intense attack in these areas can form pits, which usually have a semispherical front (Fig. 6b and e). The chemical analysis in these areas showed an advanced dealkalinization process (Fig. 6b, analyses A1, A2 and A3). The K2O content decreased progressively from 21.0wt.% in the unaltered glass to 1.8wt.% in the most advanced corrosion area. CaO has been partially lixiviated. On the contrary, SiO2 has been relatively increased up to 71.1wt.% in the most altered area (Fig. 6b, analysis A3).

The pits interconnection and/or the homogeneous alteration of the glass surface can produce a continuous alteration front (Fig. 6c). The fissures formed between both altered and unaltered areas can induce mechanical detachments which form craters on the glass surface (Fig. 6c and f).

The sample L1 presented different alteration pathologies. It showed an irregular surface with numerous craters filled with crystalline deposits in the fragment outdoor surface (Fig. 7a and b). The growth of crystals inside the fissures favored the detachment of the altered glass fragments that generated irregular craters (Fig. 7c). These crystals were formed by the chemical reaction of the ions lixiviated from the bulk glass and the atmospheric pollutants (SO2, CO2, NOx), dissolved in the surface water, and filtered through the fissures (Fig. 7, analyses A1 and A2; Reactions (7)–(9)) [12].

Fig. 7.

(a) Binocular microscope image of the pits in the outdoor surface of the sample L1. SEM micrographs of (b) an irregular pit filled with crystalline deposits, (c) cross section of an irregular pit. The enclosed table displays EDS microanalyses results (wt.%).

(0.38MB).

There is a direct relationship between the pit formation mechanism and the location of the samples. The pits due to dealkalinization were mainly formed in the glasses from the Glassman boxes, which were retired in the 19th century. While the glasses exposed until nowadays presented irregular pits with crystalline deposits, mainly CaSO4, due to the synergic effect of the humidity and the atmospheric pollution near the cathedral.

Both alteration mechanisms were identified in the sample L3. The red flash layer in the indoor surface was lost as result of the pits formation (Fig. 8), and the outdoor surface was completely covered by a degradation crust. This sample was probably located inside-out. The interconnected pits were formed by dealkalinization in the supposed outdoor surface (current indoor surface) until the 19th century; then, the panel would be changed and the current outdoor surface was exposed to the environmental pollution being completely covered by crystalline deposits. Such a change of glasses and/or panels was a common practice in the restorations before the 20th century [32].

Fig. 8.

Binocular microscope image of the pits in the red flash layer on the sample L3.

(0.17MB).

Six glasses (L2, L3, L4, L6, L7 and L9) had a homogeneous crust in their outdoor surface as consequence of a long contact with the polluted environment. The XRD analysis of the alteration crust of the sample L7 showed that it was formed by gypsum (CaSO4·2H2O) as the main crystalline phase, a low proportion of quartz (SiO2) from the environmental dust [33], and iron or iron silicon (Fe0.9Si0.1) from the corrosion of the metallic elements of the stained glass windows [28] (Fig. 9). A reddish layer with a high content of Fe2O3 (Fig. 10a and b, analysis A2) was also detected upon the alteration crust (Fig. 10c) in the areas near to these metallic elements.

Fig. 9.

XRD pattern of the corrosion crust on the surface of the sample L7.

(0.1MB).
Fig. 10.

(a) Binocular microscope image of the reddish layer upon the outdoor surface of the sample L2. SEM micrographs of (b) the reddish layer upon the alteration crust, (c) deposits inside one crater in the reddish layer. The enclosed table displays EDS microanalyses results (wt.%).

(0.56MB).

In general, the grisaille protect the glass surface and prevent its alteration (Fig. 11a) [27]. However, when the grisaille is altered, the rain or condensation water can be filtered through the fissures favoring the local degradation of the subjacent glass (Fig. 11b and c) or the general glass damage (Fig. 11d). The samples L6 and L8 showed pits in the indoor surface under the grisailles.

Fig. 11.

SEM micrograph of (a) a consolidated grisaille in the sample L8, (b) a fissure in the grisaille of sample L8, (c) dealkalinization channels in the glass of sample L8, (d) general alteration of the glass of sample L6.

(0.6MB).

Finally, a slight enrichment in MnO was detected in the altered areas of the glasses L6 and L9 (Fig. 6c, analyses A1, A2 and A3; Fig. 12, analyses A1, A2 and A3). MnO was also detected in the alteration crust of the samples L3, L4, L5 and L7. The grisaille showed a low content of manganese (Fig. 12a, analysis A3). The MnO enrichment can be connected with the browning process in the glasses, in which the manganese ions from the glass would precipitate as MnO2[34]. This process depends on the environmental conditions and is favored by humid and acid environments [35].

Fig. 12.

SEM-BSE micrographs in the fresh fracture of the altered area (a) under the grisaille, (b) in the outdoor surface, of sample L6. The enclosed table displays EDS microanalyses results (wt.%).

(0.3MB).
Relation between chemical composition and alteration pathologies

According to the Bettembourg classification [36], which related the alteration pathologies in medieval glasses with the chemical composition, the samples L10 and L11 should be stables glasses because they had content of SiO2 >54wt.% and K2O <14wt.%; the glass fragments L5 and L9 should be covered by pits, and the rest of the samples should presented a uniform altered surface because the glasses presented a high content of K2O (Fig. 13). In fact, all the samples showed surface alterations, preferentially in the outdoor surface of the glasses instead of the fragment L11 (Table 1). All the glasses with a degradation crust upon the outdoor surface (L2, L3, L4, L6, L7 and L9) had a relation K2O/CaO >1, unless the sample L8 which presented isolated deposits. This fact highlights the important relationship between the chemical composition and the degradation state, although other factors such as the microclimate of each location influenced the alteration process as well.

Fig. 13.

Ternary representation of the glass compositions of the samples characterized in the current and previous works [12,25–27] to compare their degradation pathologies [36].

(0.25MB).

The alteration pathologies of the Type I, II and III from the Cathedral of León were previously analyzed by Goldkuhle [37]. The samples from the 15th century presented brownish alteration layers on the outdoor side of the glasses, however the 13th century glasses (Type I and II) showed different alteration pathologies, e.g. isolated pits and uniform crusts [37]. The different alteration process was connected with the chemical composition of the glasses. The majority of the glasses identified by Brill showed a relation K2O/CaO >1 (1.3±0.2 for Type I, 1.6±0.2 for Type II and 1.1±0.2 for Type III), indicating the low stability of these glasses, particularly of the Type III which present a lower content of SiO2 (Fig. 13). Goldkuhle highlighted the good state of conservation of the stained glass windows 1 and 31, located in the west façade and protected by the towers [37], however the relatively high content of SiO2 of the sample 6001 from the window 1 could also diminish the alteration rate [25].

Valle et al. detected gypsum (CaSO4·2H2O), bassanite (CaSO4·0.5H2O) and a mix of both in the corrosion crust on both sides of the glasses; however the crystallization was lesser on the indoor surface due to the softer impact of the environmental factors [26]. Renaissance glasses presented higher chemical stability, which was attributed to their relatively high content of Al2O3 and to their relation K2O/CaO <1 (Fig. 13).

The medieval glasses analyzed by Carmona et al. presented craters and corrosion crusts on the outdoor surface, and thin crusts, pits or no-alteration pathologies in the indoor surface [12]. Most of these samples presented relation K2O/CaO >1 (Fig. 13), and showed a good state of conservation compared to other similar glasses. This can be explained because the first set of fragments were retired from the corresponding stained glass windows in the 19th century and were kept in the Glassman boxes until nowadays. Furthermore some Renaissance glasses presented thick corrosion layers on the outdoor surface and thin layers on the indoor side, even with relation K2O/CaO ∼0.3. This severe alteration could be related to the exposition of such Renaissance glasses throughout the 20th century, when the concentration of environmental pollution due to charcoal stoves and transports was higher [12]. The 19th century glasses presented a good state of conservation due to their high content of SiO2 (>64wt.%) and their relation K2O/CaO <1, mainly in the sample 28 [12].

Finally, the influence of the microclimate in each location was monitored with glass sensors patented by the Fraunhofer-Institut für Silicatforschung ISC (Germany) [38]. The sensors demonstrated that the glasses from the North façade presented a more intense alteration than glasses from the South façade [20,39]. Even the alteration of the glass sensors in the lower part of the stained glass windows was similar in all orientations and lower than those of sensors located in the upper part of the windows [39]. The architecture of the building could had some influence under each microclimate, because in the lower part of the façade the structure is more open than in the upper part and favors the washing of the surface products by the rainwater minimizing the damage induced by the stationary conditions (Reactions (4)–(6)) [9].

Currently a protective glazing system has been installed as a preventive conservation strategy to protect the stained glass windows from the atmospheric weathering (rain, wind, pollution, etc.). This protective system was installed at about 6cm from the original stained windows. The natural ventilation was achieved by slots of about 1–2cm on the bottom and the top of the window toward the building indoors [39]. The environmental monitoring by means of glass sensors proved the efficacy of the protective glazing system against the alteration of the original stained glass windows [39].

Conclusions

The glasses from the Cathedral of León can be classified into five groups as a function of their chemical composition. These groups represent the glasses from different chronologies, in which different raw materials sources or different production technologies were used.

As concerns the chromatic characterization, the redox pair Fe3+/Fe2+ was detected in all the samples, since iron ions are a common impurity of the sands used as glass raw materials. The chromophores Co2+ and Mn3+, usual in medieval times, were also detected.

Finally, the direct relationship between the glass degradation state and the environment was verified. The samples from the Glassman boxes, retired during the 19th century, presented pits due to the dealkalinization of the glasses. However, those glasses exposed during the last century presented crystalline deposits, mainly CaSO4, on the surface and in the fissures as a consequence of the atmospheric pollution of León city during the 20th century. In some glasses the manganese enrichment, connected with the browning alteration, was detected in the alteration layer and the corrosion crust.

Acknowledgments

The author acknowledges to Mrs. Ángeles Robles (Vidrieras Catedral de León S.L.) and to Mr. José Antonio Campo Muñoz (ESOCA S.L.) the facilities provided to accomplish this research and to the CERVITRUM research group (CCHS-CSIC, Madrid) for their help during the study. The author also acknowledges the partial funding of the program GEOMATERIALES 2-CM ref. S2013/MIT-2914 and a post-doctoral fellowship from the Ministério de Ciência e Tecnologia de Portugal (ref. SFRH/BPD/108403/2015), as well as professional support from TechnoHeritage (Network of Science and Technology for the Conservation of Cultural Heritage).

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