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Inicio Revista de Psicodidáctica (English Edition) Music performance anxiety in 8- to 12-Year-Old children
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Vol. 25. Issue 1.
Pages 76-83 (January - June 2020)
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Vol. 25. Issue 1.
Pages 76-83 (January - June 2020)
Original
Music performance anxiety in 8- to 12-Year-Old children
Aprendizaje musical y ansiedad escénica en edades tempranas: 8–12 años
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Maria-Victoria Urruzolaa,
Corresponding author
mariavictoria.urruzola@ehu.eus

Corresponding author.
, Elena Bernarasb
a Facultad de Educación, Filosofía y Antropología, Dpto. de Didáctica de la Expresión Musical, Plástica y Corporal, Universidad del País Vasco, San Sebastián, Spain
b Facultad de Educación, Filosofía y Antropología, Dpto. de Psicología Evolutiva y de la Educación, Universidad del País Vasco, San Sebastián, Spain
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Figures (2)
Tables (5)
Table 1. Sample characteristics
Table 2. Means and standard deviations (in parentheses) by sex, age group, and formative context
Table 3. Fit indexes and R2 for the model by sex and age range
Table 4. Total and indirect (standardized) effects based on sex and age range
Table 5. Fit indexes for multi-group invariance models by sex and age range
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Abstract

Anxiety can negatively affect performance quality, increasing the likelihood of failure and impaired performance. The aims of this research were: (1) to examine the differences in music performance anxiety (MPA), self-confidence, self-efficacy, and fear of negative evaluation levels among 8- to -12-year-old music students, according to sex, age, and type of instruction; and (2) to propose an explanatory model to describe the origins of MPA. A total sample of 198 music school and conservatory students (54.5 % girls; M = 9.65, SD = 1.25) completed the MPAI-A, MPAI-A-State, CSAI-2 RE, SMLQ-Ch, and BFNE-S scales. Girls scored significantly higher in self-efficacy, with a medium-high effect size. A model in which State-MPA has an effect on Trait-MPA, both directly and moderated by self-confidence, self-efficacy, and fear of negative evaluation was tested. All fit coefficients were satisfactory, and multi-group analyses showed model consistency across all four groups that were investigated. These results indicate the appropriateness of avoiding stressful performance experiences that could have a negative impact on self-confidence, increasing students’ vulnerability to anxiety.

Keywords:
Children
Music performance anxiety
Self-Confidence
Self-Efficacy
Fear of negative evaluation
RESUMEN

La ansiedad repercute negativamente en el rendimiento musical, haciendo que la calidad de ejecución esté por debajo del nivel de preparación y de las aptitudes individuales del intérprete. Este trabajo ha tenido dos objetivos: (1) analizar las diferencias en los niveles de ansiedad escénica (AE), autoconfianza, autoeficacia musical y miedo a la evaluación negativa del alumnado de escuela de música y conservatorio de 8-12 años, en función del sexo, la edad y el contexto formativo; y (2) proponer un modelo explicativo para la AE en edades tempranas. Un total de 198 estudiantes (54.5% chicas; M = 9.65 DT = 1.25) han cumplimentado las escalas MPAI-A, MPAI-A-State, CSAI-2 RE, SMLQ-Ch y BFNE-S. Las chicas han obtenido puntuaciones más elevadas en autoeficacia y el tamaño del efecto asociado ha sido moderado-alto. Se ha puesto a prueba un modelo en el que la AE-estado ejerce efecto directo y también moderado por la autoconfianza, la autoeficacia y el miedo a la evaluación negativa, sobre la AE-rasgo. El modelo ha mostrado índices de ajuste satisfactorios y se mantiene invariante en los cuatro grupos considerados. Estos resultados evidencian la conveniencia de evitar situaciones estresantes que puedan debilitar la autoconfianza del alumnado y aumentar su vulnerabilidad a la ansiedad.

Palabras clave:
Niños
Ansiedad escénica
Autoconfianza
Autoeficacia musical
Miedo a la evaluación negativa

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